4. dbx reserves the right to make changes in design or make additions to or .. Congratulations on your purchase of the dbx AFS™ The AFS Advanced . dbx AFS (AFS in line between mixer and amplifier) as shown below. . A little practice and experimentation will make you an AFS expert in no time. Get the guaranteed best price on Feedback Suppression like the dbx AFS Stereo/Dual Mono Feedback Suppression Processor at Musician’s Friend.

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Thanks and Regards, Dave C.

dbx Pro AFS 224 User Manual

I use one and for our purposes, it works great. I am an avid reader here and have seen likes and dislikes.

Dave Howard Newbie Offline Posts: I’m thinking of small rooms with bad acoustics. Wouldn’t that destroy all tonal integrity? Join the HC Newsletter. It seems to function just as well as the AFS in the driverackwhich for me has done a good job.

dbx Afs-224 Feedback Suppression Processor Afs224

Of course this only makes sense if it fits in with your system goals. Ideally, you’d have an AFS on every monitor send. I used to use another dbx unit on the horns and drums monitor sends but since all of the horns went to bell mics and the drummer was replaced with a more dynamic player less of a gorilla I no longer needed aafs additional two channels of protection.


Small rooms bars with hard walls, paneling or even a freakin mirror right behind the band bouncing the monitors right back into the mics No, I don’t own a 31 band EQ.

Asf to watch the color of a pushbutton is tough when you have your finger on it. I’ve never used one nor have I seen one in use anywhere.

Dave C arugo Jr. If you need more filters, then you have a serious problem. You can set the number of filters, fixed or live, that you want to use. The feedback had to reach very high levels before the unit could find it. I’d say better used inserted before the fader. I don’t usually have to use more than filters for the fixed.

One of the claimed advantages of these units is that the Q is much more narrow than a typical 31 band EQ. I like the GUI on the driverack though, because it shows you where the notches are and how wide, then you can adjust.

Ten and twelve filter feedback elimination processors have become the de facto standard, but the engineering staff at dbx have never been quite content residing in the neighbourhood of the status quo. The one application I can see for them is a performer who wanders the stage or a convention event where a sound tech may not be present at all times.

Has anyone had the chance to mess with this thing? MUEvan wrote on Wed, 07 July The manual is pretty comprehensive: I haven’t used Sabine, so cannot offer an opinion there.


dbx Pro AFS User Manual – Page 1 of 20 |

I haven’t mixed using one. One of these mics gets passed around for bridal party toasts and MC duties in front of the mains and they are also the main mics for our lead singers that move around the stage a lot. Login or Sign Up. We had a nice discussion about this awhile back and although I like the dbx unit the best, IIRC most avs that the newer Sabines were the best of the breed Advertise on the most comprehensive and widely viewed musicians’ website.

As I ags in my earlier post, we have never once had a sound 22, let alone an opportunity to ring out a room. Not as well as turning down, but quite well. So you dont think it would work well for use between an aux send and my mons power amps?

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Any input would be great, thanks in advance. Our last gig, we had to wait for a party of 8 eating pizza with their kids to finish up so we could move tables to set up.

That could be pretty loud unless you turned down the amps. Doubtful the customers would appreciate us ringing out the room. I have some EQs but thinking about getting one of these?